Jump Like Blood

Un titre qui ne veut rien dire, je vous l'accorde!
J'ai posté une piste synthé que j'avais travaillée pour "Blood" de Aedden, et rejeté car trop dansant et électro.
C'est du vite fait et l'arpégiateur du milieu est très perfectible voir bon pour la poubelle.
Mais dans le reste (plus grand chose en fait) j'y vois le potentiel pour un "Black or Red" bis.
A vous de juger, et à mon tour de recevoir des claques!

Peux-tu faire une version granuleuse (au niveau son) de cette intro ... un peu à la "Justice" ... juste pour voir ... Comme ca ça fait gentil ... limite "Lio-esque" mais je suis sur que ca a du potentiel si tu durcis et cradifie le son ...
En effet, la partie centrale est trance happy ... mais ça peut évoluer ... le problème là ... c'est le coté trop "notes enchainées". Faut des breaks dans cette phrase musicale.

Peux-tu faire une version granuleuse (au niveau son) de cette intro

Je vais essayer, malgré que je dis toujours que le motif mène au son et le son au motif. Reste plus qu'à savoir comment faire un son à la Justice...

Je trouve que tel quel c'est trop happy pour FL... J'avoue que j'accroche pas trop à la première écoute

Attendons d'entendre la version 1.1 ...

Paul ... on attend toujours!
Peux-tu poster une version MIDI?

J'ai posté le fichier Midi.
En effet je n'ai pas encore cherché un autre son: ce motif est déjà un travail fait sur les notes en même temps que sur le son (comme une peinture: on fait un sujet en même temps qu'on fait les couleurs).
Je suis curieux d'entendre ce que tu trouveras...

Played around with this one a bit ...

Good job, because I believe that my loop is not very easy for a rock song. When I posted it I hoped a new Why or Black or Red, but now I realize that is not yet a "killer" arpegiator, and your mix is a new way to use it...

(euh, tout le monde a compris ?!)

(euh, tout le monde a compris ?!)
Moi j'ai compris ...
The only part I found somehow interesting is between 00'51 & 1'04" ... I guess you somehow got something out of that jumpy techno synth phrase ...
that is not yet a "killer" arpegiator
I couldn't agree more with that statement ...

Yeah, I wasn't too inspired, but did "something", so I thought let's post it. We can keep it in case it might fit somewhere else, or otherwise dump it.

Probably we'll end up with many half-bred or half-good tracks or segments and guess it's also important to not hesitate to trash stuff and really focus on the good things with potential.

Maybe we should really do the "hit parade" and then fully focus on making the top 3 awesome, rather than have 6 new tracks that are 80%.

I have the feeling that some tracks on the CD went through such a process of improvement before they were on the level they are today?

I have the feeling that some tracks on the CD went through such a process of improvement before they were on the level they are today?
You're completely right about that ... most of the tracks went through a long process of making them the best we could ... It is when you play the song over and over again that you are gettin' a good idea about what needs to be improved, shorten, changed or re-arranged ...
rather than have 6 new tracks that are 80%
We can also make 6 tracks at 120%

Duke a écrit:
We can also make 6 tracks at 120%

Haha, yeah I get the feeling that this kind of energy might be around here

Probably Jump like blood is not one of the 6 though, unless someone comes up with the genius break through on it

Jump like blood is not one of the 6
It wasn't in my list ... I also messed around with it a week ago and I couldn't get anything convincing out of it ... Oh well, ... that happens too! ...

Jaeger a écrit:
I have the feeling that some tracks on the CD went through such a process of improvement before they were on the level they are today?

Yes but the improvement came out from some details. The good songs found easily their way out. It is always after having recorded them in a "pre-prod" or on demo tapes before that we really figured out what was working and what sucked. Now we have directly a result and we could understand what's wrong in the song. So we "trashed" a lot of things already